capitalism: a love story main points

Looking back on his happy and prosperous early life, Moore asserts that "if this was capitalism, I loved it... and so did everyone else". ... Joseph Stiglitz points out that finance capitalism focuses on management of risk, instead of management of labor, to reap profits. But of course, Google will then see that NC has plenty of posts on Global Warming…so it’ll replace the PayDay loans with ads from Exxon Mobil and BP. Moore’s father, who is still alive, escorts the director to the site of the auto parts company that employed him. [3] The film also features a religious component in which Moore examines whether or not capitalism is a sin and whether Jesus would be a capitalist;[4] this component highlights Moore's belief that evangelical conservatives contradict themselves by supporting free market ideals while professing to be Christians. At other times, his message is a little unclear. The AALU further states that corporate-owned life insurance is taken out only on highly compensated employees, only with their knowledge and consent and that COLI finances employee benefits and protects jobs and that employees pay nothing for COLI but receive substantial benefits.[23]. [27] Moore also received a nomination for Best Documentary Screenplay from the Writers Guild of America. It was released on DVD and Blu-ray on March 9, 2010. Moore adds that it is a crime that Americans do not have these things and never will have them as long as the evil of capitalism continues to enrich the few at the expense of the many. He asked that newsreel cameras film the last portion of the address, concerning the Second Bill of Rights. The film alternates between a fierce critique of the status quo, personal portraits of the suffering caused by the recent economic crisis, and comical social satire. The main point is there are strong ties between Capitalism and Corporatism. He believes that capitalism is a system which claims to reward free enterprise but in fact rewards greed. Seriously, I couldn’t stand him- so obnoxious, but this time around, he seems different: | Although even here I would point to the enormous amount of money spent on advertising (often exploiting the irrationality of consumers) as opposed to research/development. [13] The theater average was considered strong, though it did not beat the record opening of Moore's Fahrenheit 9/11, which grossed $83,922 at two theaters in one day. [29], Washington Post, October 28, 2009, "Catholic America: Michael Moore: Catholic of the year? Moore concludes that he cannot accomplish this goal this alone and appeals for help from the viewer, ending the film. Capitalism is often associated with the ideals of Christianity and the concurrent American ideal of democracy, the latter which is increasingly not the case, where economic power is held in the hands of the few. The film then depicts home videos of families being evicted from their homes, as well as the "Condo Vultures", a Florida real estate agent whose business flourished with the increasing number of foreclosures. He speaks to the family of a man who worked for Amegy Bank of Texas, which had secretly taken out a life insurance policy on the man with itself as the beneficiary and had then accidentally informed his widow that the bank was receiving a $1.5m payout due to his death of cancer. Filmmaker Michael Moore answers questions following a press screening of his film, "Capitalism: A Love Story," at the Bellaire Theater in Bellaire, … Like “Roger and Me”, “Capitalism: a Love Story” contains autobiographical material about growing up in Flint, Michigan as the son of an auto worker. Michael Moore surprised me lately, on Hannity, on the View, on any interview he’s done to promote his latest movie, Capitalism: A Love Story. But this time the culprit is much bigger than General Motors, and the crime scene far wider than Flint, Michigan. Capitalism: A Love Story is more than Michael Moore's latest documentary — it's the summation of the movies he's been making for the past 20 years. Capitalism: A Love Story examines the impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). The film centers on the late-2000s financial crisis and the recovery stimulus, while putting forward an indictment of the then-current economic order in the United States and of unfettered capitalism in general. He notes that the smears against Obama did not work, as support for him increased and people become curious about what socialism actually meant. This footage was believed lost until it was uncovered in 2008 in South Carolina by Michael Moore while researching for the film. This film focuses on the financial crisis that America had begun to feel starting in the late 2000’s and on the recovery stimulus following that crisis. Moore's real question is, does it serve us or do we serve it? Film-maker Michael Moore begins this revealing documentary with the Roman Empire, and the beginning of greed. In fact, at this point things get hazy. [14], The film had a wide release in 995 theaters in the United States and Canada on October 2, 2009,[2] about a year after the enacting of the Emergency Economic Stabilization Act of 2008, which approved a $700 billion bailout of Wall Street. ", "For Those of You on Your Way to Church This Morning ...", "The Best Scenes From Michael Moore's New Movie", "Moore's 'Capitalism' off to profitable start", "Capitalism: A Love Story (2009) – Daily Box Office Results", "Capitalism: A Love Story (2009) – Weekend Box Office Results", "Weekend Box Office Results for October 2–4, 2009", http://newsweek.washingtonpost.com/onfaith/catholicamerica/2009/10/michael_moore_as_catholic_of_the_year.html?hpid=talkbox1, "La Biennale di Venezia - The 66th Festival Collateral Awards", "Venice Film Festival unveils Golden Lion lineup led by Michael Moore", "15th Annual Critics' Choice Movie Awards (2010) – Best Picture: The Hurt Locker", "Post-Film Action Plan: 15 Things Every American Can Do Right Now", "Capitalism is evil … you have to eliminate it", In The Center Ring: Michael Moore vs Capitalism, Naomi Klein in Conversation With Michael Moore, Michael Moore Examines Today's Economic State, Moore Goes to the Source in "Capitalism: A Love Story", Office of Federal Housing Enterprise Oversight, China–Japan–South Korea trilateral summit, Dodd–Frank Wall Street Reform and Consumer Protection Act, Term Asset-Backed Securities Loan Facility, American Recovery and Reinvestment Act of 2009, Fraud Enforcement and Recovery Act of 2009, Housing and Economic Recovery Act of 2008, National fiscal policy response to the Great Recession, List of banks acquired or bankrupted during the Great Recession, Effects of the Great Recession on museums, Downsize This! Capitalism is indeed a love story, because through all the criticism it is obvious that the director aches for a better America, and he does not envision that America as a communist country. [16], Review aggregator website Rotten Tomatoes reported an approval rating of 75% based on 185 reviews, with an average score of 6.71 out of 10. The critic complained that Moore strove "to manipulate viewers' emotions with shots of crying children and tearjerking musical choices", believing that the documentary worked better when the director let the topic unfold through various accounts. So im looking for information against some of his hypothesies. The film begins a series of security footages of bank robberies (one of the robbers was even on a crutch) accompanied by the song "Louie, Louie". "Capitalism: A Love Story" is a truly exceptional piece of work, superbly crafted and outstandingly effective; it strips the mask off Capitalism so leisurely and non-chalantly, yet so completely, that only the most die-hard proponents of that monstrously overrated economic system can still claim to accept it at face value or see it as anything other than the most insidious and pervasive system of exploitation of … The film centers on the late-2000s financial crisis and the recovery stimulus, while putting forward an indictment of the then-current economic order in the United States and of unfettered capitalism in general. Taglines The country at that time started to be run more like a business than like a traditional government. Choose from 290 different sets of capitalism a love story flashcards on Quizlet. [20], Upon the film's February 2010 UK release, The Times said the film "showcases Moore at his undeniably powerful best and his exploitative, manipulative worst":[21]. | Capitalism: A Love Story absurdly advocates the “elimination” of the profit system at the same time as it praises one of the parties, and that party’s leading figure, who preside over that system. Parents Guide. The film moves from Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan. This prosperity was driven by the manufacturing industry, which benefited from post-war Germany and Japan struggling to recover. On September 23, the film had a limited release at two theaters in New York City and two theaters in Los Angeles,[12] grossing $37,832 in its first day for a $9,458 per theater average. The system continues to operate as most Americans strive to be among the wealthy and see capitalism as a system where becoming wealthy is at least possible. Moore defines capitalism as "a … Capitalism: A Love Story examines the impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). [11] The film also screened at the Toronto International Film Festival on September 13 and at the New York Film Festival on September 21. [28] At the 15th Critics' Choice Awards, it received a nomination for Best Documentary Feature. After seeing the congressional testimony of pilot Chesley "Sully" Sullenberger (who reported that over the course of his career, his salary had been cut by 40 percent and his pension, like most airline pensions, was terminated and replaced by a "PBGC" guarantee worth only pennies on the dollar),[5] Moore notes that pilots being overworked and underpaid did not enter into the media discussion following the crash of Colgan Air Flight 3407. [25] The documentary was also nominated for the festival's Golden Lion award,[26] but lost to Lebanon. He lays all … Capitalism: A Love Story is a 2009 American documentary film directed, written by, and starring Michael Moore. In this regressive era employers exploit their employees by paying them the minimum, but insuring them for large amounts, naming the organization as the beneficiary, demonstrating that they are more valuable after their demise. “Capitalism: A Love Story” was made by him in efforts to unveil what big businesses has done to middle class Americans across the country. He asserts that capitalism allows people to get away with anything, including making a profit from someone's death. Marx is cheering from his grave. (Songs). By Jim Castagnera Special to The History Place 10/5/09. The film rates as a 5 out of 10. What he finds are the all-too-familiar symptoms of a love affair gone astray: lies, abuse, betrayal...and 14,000 jobs being lost every day. Then Moore goes and spoils it all by hauling out his trusty bullhorn for a series of lame stunts. Moore wonders how the bank's actions can be legal when he himself is prohibited from taking out home insurance on someone else's property. "[17] Metacritic, which assigns a weighted average rating out of 100 to mainstream critics' reviews, reported an average score of 61 out of 100 based on 35 reviews, indicating "generally favorable reviews". The film is brilliantly researched, both with regard to the labyrinthine web of connections between the world of finance and the corridors of power and the wittily used archive footage. The site's critics' consensus reads: "Love him or hate him, Capitalism captures Michael Moore in his muckraking element -- with all the Moore-centric showmanship that entails. A lot will be said, good and bad, about Capitalism: A Love Story, about Michael Moore and about the lives of the economic victims. He calls for capitalism to be eliminated and replaced with something good for all people: Democracy. The film moves from Middle America, to the halls of power in Washington, to the global financial epicenter in Manhattan. He describes President Jimmy Carter's Crisis of Confidence speech as a turning point that led to the election of Ronald Reagan in 1980; Moore calls Reagan a "spokesmodel" for banks and corporations who wanted to remake America to serve their interests. [clarification needed] Moore then returns to the present, showing President George W. Bush enjoying his final year in office as companies announce massive layoffs and the economy starts to collapse. Originally thought to be a follow-up to the 2004 film Fahrenheit 9/11, it was revealed that Moore's film was to be a documentary about the financial crisis of 2007–2010. Michael Moore's previous work that included subjects about guns, General Motors, and George W. Bush, to the audience these were clear points for us to identify with, or in most cases, against. Captialism: A Love Story (2009) Buy Now Watch on Netflix On the 20-year anniversary of his groundbreaking masterpiece “Roger & Me,” Michael Moore’s “Capitalism: A Love Story” comes home to the issue he’s been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans. In CAPITALISM: A LOVE STORY, documentarian Michael Moore looks at America's recent financial crisis and proposes that it wasn't just caused by rampant profiteering by megacorporations and Wall Street -- he says that even the "bailout" created to save those banks represented more profiteering. Religion expert Anthony Stevens-Arroyo stated that the film should be considered "a special kind of Catholic achievement" and asked whether Michael Moore should be named "Catholic of the Year" for raising the serious issues in the context of Catholic social teaching, and for presenting "Catholic currents of social justice" in the film. He quotes Don Regan's line to Ronald Reagan, "... and please, speed it up". "[19], Leslie Felperin of the trade paper Variety wrote, "Pic's target is less capitalism qua capitalism than the banking industry, which Moore skewers ruthlessly, explaining last year's economic meltdown in terms a sixth-grader could understand. Upon the film's February 2010 theatrical release in the United Kingdom, film critic Mark Kermode, appearing on The Culture Show, asked the BBC's business editor Robert Peston whether Moore's "crusading" had been based on a misrepresentation of American capitalism. Moore uses security-camera footage of … Topics covered include Wall Street's "casino mentality", for-profit prisons, Goldman Sachs' influence in Washington, D.C., the poverty-level wages of many workers, the large wave of home foreclosures, corporate-owned life insurance, and the consequences of "runaway greed". Motion Picture (Form). Learn capitalism a love story with free interactive flashcards. Occasionally entertaining and containing some valid points and finger-pointing, "Capitalism: A Love Story" is like listening to an opinionated, if sincere grandstander paraphrasing a CliffsNotes version of an economics class -- the simplified summaries don't do the subject matter the sort of justice it deserves. Plot Keywords It's an ambitious theme, but some of his arguments in "Capitalism: A Love Story" fall apart on closer inspection. The film was widely released to the public in the United States and Canada on October 2, 2009. Moore reports on the Occupy movement and the 2008 presidential campaign of Democratic Senator Barack Obama, who was demonized as a "socialist". Naked Capitalism: A Love Story. The Associated Press's national business columnist Rachel Beck reviewed the accuracy of three points made in Capitalism: The Association of Advanced Life Underwriting issued a statement that Moore "mischaracterized" Corporate Owned Life Insurance (COLI), stating that the issues were addressed by Congress in the 1990s and again in 2006. In his new film, Capitalism: A Love Story, Moore attempts demystify what economics and capitalism really mean to the vast majority of Americans. Alone and appeals for help from the Writers Guild of America and Japan to! Regan 's line to Ronald Reagan, `` Catholic America: Michael Moore begins by discussing what and! History that are involving, funny, infuriating and inspiring of capitalism traditional.! That, Moore 's `` capitalism: a Love Story '' fall apart on closer inspection father, who still... Minutes ) in economics history that are involving, funny, infuriating and inspiring the culprit is much bigger General... 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